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Charles later came into his own with 1954’s «I’ve Got a Woman,» which marked a dramatic change in his style — it reflected a heavy gospel influence integrated with pop and his vocals were suddenly uninhibited and raw. The influences of legendary bluesmen such as Bukka White, Son House, Howlin’ Wolf, and Muddy Waters can be heard in Hart’s many classic interpretations of blues standards as well as his original material.

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